For nearly half a century, Nineteenth Century Theatre and Film has stood at the forefront of research in nineteenth-century performance of all kinds, construing theatre and film comprehensively. The journal welcomes discussion on any topic within the wide variety of theatrical arts that emerged from the Age of Revolution to the advent of sound motion pictures, as well as all ‘pre-cinema’ optical and narrative forms, ‘silent’ motion pictures and illusions. Considering narrative or variety entertainments from all countries and regions, Nineteenth Century Theatre and Film embraces not only drama and film but also dance, opera, music hall, circus, fairground entertainment, puppetry and other forms which implicate live audiences (actual, potential or imaginary). The journal regularly publishes essays, book reviews and review essays. Documents in photographic or critical facsimile and in annotated critical editions are also published, providing valuable primary material for the working scholar.
|Peter Bailey||University of Manitoba, Canada|
|Jacky Bratton||Royal Holloway, University of London, UK|
|Jon Burrows||University of Warwick, UK|
|Marvin Carlson||Graduate Center, City University of New York, USA|
|Tracy Davis||Northwestern University, USA|
|Joseph Donohue||University of Massachusetts, Amherst, USA|
|Viv Gardner||University of Manchester, UK|
|Christine Gledhill||University of Sunderland, UK|
|Catherine Hindson||University of Bristol, UK|
|Veronica Kelly||University of Queensland, Australia|
|David Mayer||University of Manchester, UK|
|Kate Newey||University of Exeter, UK|
|Michael Pisani||Vassar College, USA|
|Jane Pritchard||Victoria and Albert Museum, UK|
|Thomas Riis||American Music Research Center, University of Colorado at Boulder, USA|
|Denis Salter||McGill University, Canada|
|Richard Schoch||Queen's University Belfast, UK|
|Laurence Senelick||Tufts University, USA|
|Matthew Solomon||University of Michigan, USA|
|Carolyn Williams||Rutgers University, USA|
|Don B. Wilmeth||Brown University, USA|
|Edward Ziter||New York University, USA|
This Journal is a member of the Committee on Publication Ethics.
Please read the guidelines below then visit the Journal’s submission site https://mc.manuscriptcentral.com/nctf to upload your manuscript. Please note that manuscripts not conforming to these guidelines may be returned.
Only manuscripts of sufficient quality that meet the aims and scope of Nineteenth Century Theatre and Film will be reviewed.
There are no fees payable to submit or publish in this journal.
As part of the submission process you will be required to warrant that you are submitting your original work, that you have the rights in the work, and that you have obtained and can supply all necessary permissions for the reproduction of any copyright works not owned by you, that you are submitting the work for first publication in the Journal and that it is not being considered for publication elsewhere and has not already been published elsewhere. Please see our guidelines on prior publication and note that Nineteenth Century Theatre and Film may accept submissions of papers that have been posted on pre-print servers; please alert the Editorial Office when submitting (contact details are at the end of these guidelines) and include the DOI for the preprint in the designated field in the manuscript submission system. Authors should not post an updated version of their paper on the preprint server while it is being peer reviewed for possible publication in the journal. If the article is accepted for publication, the author may re-use their work according to the journal's author archiving policy.
If your paper is accepted, you must include a link on your preprint to the final version of your paper.
- What do we publish?
1.1 Aims & Scope
1.2 Article types
1.3 Writing your paper
- Editorial policies
2.1 Peer review policy
2.5 Declaration of conflicting interests
2.6 Research data
- Publishing policies
3.1 Publication ethics
3.2 Contributor's publishing agreement
3.3 Open access and author archiving
- Preparing your manuscript
4.2 Artwork, figures and other graphics
4.3 Supplemental material
4.4 Reference style
4.5 English language editing services
- Submitting your manuscript
5.2 Information required for completing your submission
- On acceptance and publication
6.1 SAGE Production
6.2 Online First publication
6.3 Access to your published article
6.4 Promoting your article
- Further information
Before submitting your manuscript to Nineteenth Century Theatre and Film, please ensure you have read the Aims & Scope.
For nearly half a century, Nineteenth Century Theatre and Film has stood at the forefront of research in nineteenth-century performance of all kinds, construing theatre and film comprehensively. The journal welcomes discussion on any topic within the wide variety of theatrical arts that emerged from the late eighteenth century to the advent of sound motion pictures, as well as all ‘pre-cinema’ optical and narrative forms, ‘silent’ motion pictures and illusions. Considering narrative or variety entertainments from all countries and regions, Nineteenth Century Theatre and Film embraces not only drama and film but also dance, opera, music hall, circus, fairground entertainment, puppetry and other forms which implicate live audiences (actual, potential or imaginary). The journal regularly publishes essays, book reviews and review essays. Documents in photographic or critical facsimile and in annotated critical editions are also published, providing valuable primary material for the working scholar.
The SAGE Author Gateway has some general advice and on how to get published, plus links to further resources.
1.3.1 Make your article discoverable
For information and guidance on how to make your article more discoverable, visit our Gateway page on How to Help Readers Find Your Article Online.
Nineteenth Century Theatre and Film strongly endorses the value and importance of peer review in scholarly journals publishing. All papers submitted to the journal will be subject to comment and external review.
All parties who have made a substantive contribution to the article should be listed as authors. Principal authorship, authorship order, and other publication credits should be based on the relative scientific or professional contributions of the individuals involved, regardless of their status. A student is usually listed as principal author on any multiple-authored publication that substantially derives from the student’s dissertation or thesis.
To recognise two corresponding authors in your article, please clearly indicate this on submission. Communication via the Journal’s submission site will be sent to one email address; article proofs will be sent to both corresponding authors.
All contributors who do not meet the criteria for authorship should be listed in an Acknowledgements section. Examples of those who might be acknowledged include a person who provided purely technical help, or a department chair who provided only general support.
Please supply any personal acknowledgements separately to the main text to facilitate anonymous peer review.
Nineteenth Century Theatre and Film encourages authors to include a declaration of any conflicting interests and recommends you review the good practice guidelines on the SAGE Journal Author Gateway
At SAGE we are committed to facilitating openness, transparency and reproducibility of research. Where relevant, Nineteenth Century Theatre and Film encourages authors to share their research data in a suitable public repository subject to ethical considerations and where data is included, to add a data accessibility statement in their manuscript file. Authors should also follow data citation principles. For more information please visit the SAGE Author Gateway, which includes information about SAGE’s partnership with the data repository Figshare.
SAGE is committed to upholding the integrity of the academic record. We encourage authors to refer to the Committee on Publication Ethics’ International Standards for Authors and view the Publication Ethics page on the SAGE Author Gateway
Nineteenth Century Theatre and Film and SAGE take issues of copyright infringement, plagiarism or other breaches of best practice in publication very seriously. We seek to protect the rights of our authors and we always investigate claims of plagiarism or misuse of published articles. Equally, we seek to protect the reputation of the journal against malpractice. Submitted articles may be checked with duplication-checking software. Where an article, for example, is found to have plagiarised other work or included third-party copyright material without permission or with insufficient acknowledgement, or where the authorship of the article is contested, we reserve the right to take action including, but not limited to: publishing an erratum or corrigendum (correction); retracting the article; taking up the matter with the head of department or dean of the author's institution and/or relevant academic bodies or societies; or taking appropriate legal action.
3.1.2 Prior publication
If material has been previously published it is not generally acceptable for publication in a SAGE journal. However, there are certain circumstances where previously published material can be considered for publication. Please refer to the guidance on the SAGE Author Gateway or if in doubt, contact the Editor at the address given below.
Before publication, SAGE requires the author as the rights holder to sign a Journal Contributor’s Publishing Agreement. SAGE’s Journal Contributor’s Publishing Agreement is an exclusive licence agreement which means that the author retains copyright in the work but grants SAGE the sole and exclusive right and licence to publish for the full legal term of copyright. Exceptions may exist where an assignment of copyright is required or preferred by a proprietor other than SAGE. In this case copyright in the work will be assigned from the author to the society. For more information please visit the SAGE Author Gateway
Nineteenth Century Theatre and Film offers optional open access publishing via the SAGE Choice programme. For more information please visit the SAGE Choice website. For information on funding body compliance, and depositing your article in repositories, please visit SAGE Publishing Policies on our Journal Author Gateway.
Please include your abstract, keywords and author biography on your title page document.
The preferred format for your manuscript is Word. LaTeX files are also accepted. Word and (La)Tex templates are available on the Manuscript Submission Guidelines page of our Author Gateway.
For guidance on the preparation of illustrations, pictures and graphs in electronic format, please visit SAGE’s Manuscript Submission Guidelines
Figures supplied in colour will appear in colour online regardless of whether or not these illustrations are reproduced in colour in the printed version. For specifically requested colour reproduction in print, you will receive information regarding the costs from SAGE after receipt of your accepted article.
This journal is able to host additional materials online (e.g. datasets, podcasts, videos, images etc) alongside the full-text of the article. For more information please refer to our guidelines on submitting supplementary files
View the Nineteenth Century Theatre and Film style guide
Authors seeking assistance with English language editing, translation, or figure and manuscript formatting to fit the journal’s specifications should consider using SAGE Language Services. Visit SAGE Language Services on our Journal Author Gateway for further information.
Nineteenth Century Theatre and Film is hosted on SAGE Track, a web based online submission and peer review system powered by ScholarOne™ Manuscripts. Visit https://mc.manuscriptcentral.com/nctf to login and submit your article online.
IMPORTANT: Please check whether you already have an account in the system before trying to create a new one. If you have reviewed or authored for the journal in the past year it is likely that you will have had an account created. For further guidance on submitting your manuscript online please visit ScholarOne Online Help.
As part of our commitment to ensuring an ethical, transparent and fair peer review process SAGE is a supporting member of ORCID, the Open Researcher and Contributor ID. ORCID provides a unique and persistent digital identifier that distinguishes researchers from every other researcher, even those who share the same name, and, through integration in key research workflows such as manuscript and grant submission, supports automated linkages between researchers and their professional activities, ensuring that their work is recognized.
The collection of ORCID IDs from corresponding authors is now part of the submission process of this journal. If you already have an ORCID ID you will be asked to associate that to your submission during the online submission process. We also strongly encourage all co-authors to link their ORCID ID to their accounts in our online peer review platforms. It takes seconds to do: click the link when prompted, sign into your ORCID account and our systems are automatically updated. Your ORCID ID will become part of your accepted publication’s metadata, making your work attributable to you and only you. Your ORCID ID is published with your article so that fellow researchers reading your work can link to your ORCID profile and from there link to your other publications.
You will be asked to provide contact details and academic affiliations for all co-authors via the submission system and identify who is to be the corresponding author. These details must match what appears on your manuscript. The affiliation listed in the manuscript should be the institution where the research was conducted. If an author has moved to a new institution since completing the research, the new affiliation can be included in a manuscript note at the end of the paper. At this stage please ensure you have included all the required statements and declarations and uploaded any additional supplementary files (including reporting guidelines where relevant).
Please also ensure that you have obtained any necessary permission from copyright holders for reproducing any illustrations, tables, figures or lengthy quotations previously published elsewhere. For further information including guidance on fair dealing for criticism and review, please see the Copyright and Permissions page on the SAGE Author Gateway.
Your SAGE Production Editor will keep you informed as to your article’s progress throughout the production process. Proofs will be made available to the corresponding author via our editing portal SAGE Edit or by email, and corrections should be made directly or notified to us promptly. Authors are reminded to check their proofs carefully to confirm that all author information, including names, affiliations, sequence and contact details are correct, and that Funding and Conflict of Interest statements, if any, are accurate. Please note that if there are any changes to the author list at this stage all authors will be required to complete and sign a form authorising the change.
Online First allows final articles (completed and approved articles awaiting assignment to a future issue) to be published online prior to their inclusion in a journal issue, which significantly reduces the lead time between submission and publication. Visit the SAGE Journals help page for more details, including how to cite Online First articles.
SAGE provides authors with online access to their final article.
Publication is not the end of the process! You can help disseminate your paper and ensure it is as widely read and cited as possible. The SAGE Author Gateway has numerous resources to help you promote your work. Visit the Promote Your Article page on the Gateway for tips and advice. In addition, SAGE is partnered with Kudos, a free service that allows authors to explain, enrich, share, and measure the impact of their article. Find out how to maximise your article’s impact with Kudos.
Any correspondence, queries or additional requests for information on the manuscript submission process should be sent to the Nineteenth Century Theatre and Film editorial office as follows:
Patricia Smyth: email@example.com
Theatre books for review should be addressed to Dr. Lucie Sutherland, School of English, University of Nottingham, Nottingham, NG7 2RD, UK, firstname.lastname@example.org
Film books for review should be addressed to Dr. Victoria Duckett, Deakin University, Melbourne Burwood Campus, 221 Burwood highway, Burwood, VIC 3125, Australia, email@example.com