Crime, Media, Culture is a fully peer reviewed, international journal providing the primary vehicle for exchange between scholars who are working at the intersections of criminological and cultural inquiry. It promotes a broad cross-disciplinary understanding of the relationship between crime, criminal justice, media and culture.
The crime/media/culture nexus speaks to many whose work is embedded in theories of social relations and social change, and therefore maintains high relevance across the full spectrum of social sciences and humanities. Crime, Media, Culture provides a unique and much needed forum for serious debate underpinned by empirically novel and/or theoretically rigorous research.
"Somewhere between criminology and cultural studies in an area of excitement. It is here where the cultural shift is most evident and where a journal like Crime, Media, Culture can provide just the right lens at the right time" Jock Young, John Jay College of Criminal Justice, City University of New York, USA and University of Canterbury, UK
"Crime, Media, Culture acknowledges what so many scholars have long recognized, namely the critical importance of media and cultural representations in shaping popular stereotypes of crime and justice, and thus of official policies. All the better the journal's international nature promises a long overdue integration of existing scholarship in North America, Europe and the Asia/Pacific region. I am delighted to be associated with this project" Philip Jenkins, Pennsylvania State University, USA
Access all issues of Crime, Media, Culture on SAGE Journals Online.
This journal is a member of the Committee on Publication Ethics (COPE).
Crime, Media, Culture is a fully peer reviewed, international journal providing the primary vehicle for exchange between scholars who are working at the intersections of criminological and cultural inquiry. It promotes a broad cross-disciplinary understanding of the relationship between crime, criminal justice, media and culture. The journal explores a range of media forms (including traditional media, new and alternative media, and surveillance technologies) and has a special focus on cultural criminology and its concerns with image, representation, meaning and style. While CMC embraces submissions across a range of research perspectives and methodological orientations, CMC encourages especially work that develops cultural, critical, and qualitative understandings of the crime, media, culture nexus
The journal invites papers in three broad substantive areas:
- The relationship between crime, criminal justice and media forms (including traditional media, new and alternative media, and surveillance technologies)
- The relationship between criminal justice and cultural dynamics (with a special focus on cultural criminology and its concerns with image, representation, meaning and style)
- The intersections of crime, criminal justice, media forms and cultural dynamics (including historical, political, situational, spatial, subcultural and cross-cultural intersections)
While CMC embraces submissions across a range of research perspectives and methodological orientations, CMC encourages especially work that develops cultural, critical, and qualitative understandings of the crime, media, culture nexus. On this basis, while CMC does not reject quantitative studies out of hand, it does require that statistical analysis be substantiated by, and situated within, theoretically informed and qualitatively nuanced engagement with the subject matter. Research predicated largely or entirely on quantitative analysis will perhaps be better submitted elsewhere.
|Nachman Ben Yehuda||Hebrew University of Jerusalem, Israel|
|Lilie Chouliaraki||London School of Economics and Political Science, UK|
|Simon Cottle||Cardiff University, UK|
|Jeff Ferrell||Texas Christian University, USA and University of Kent, UK|
|Katja Franko Aas||University of Oslo, Norway|
|David A. Green||John Jay College, The City University of New York, USA|
|Chris Greer||City, University of London, UK|
|Mark S. Hamm||Indiana State University, USA|
|Keith Hayward||University of Copenhagen, Denmark|
|Yvonne Jewkes||University of Bath, UK|
|Greg Martin||University of Sydney, Australia|
|Alison Young||University of Melbourne, Australia|
|Sarah Moore||University of Bath, UK|
|Travis Linnemann||Kansas State University, USA|
|David L. Altheide||Arizona State University, USA|
|Sarah Armstrong||University of Glasgow, UK|
|Gregg Barak||Eastern Michigan University, USA|
|Katherine Biber||University of Technology, Sydney, Australia|
|Avi Brisman||Eastern Kentucky University, USA|
|Gray Cavender||Arizona State University, USA|
|Lynn Chancer||Hunter College of the City University of New York, USA|
|Steve Chermak||Michigan State University, USA|
|Meda Chesney-Lind||University of Hawaii at Manoa, USA|
|Roy Coleman||University of Liverpool, UK|
|Chris Cunneen||James Cook University, Australia|
|Kevin D. Haggerty||University of Alberta, Canada|
|Steve Hall||Teeside University, UK|
|Simon Hallsworth||London Metropolitan University, UK|
|Jack Katz||University of California, Los Angeles, USA|
|Jenny Kitzinger||Cardiff University, UK|
|Hille Koskela||University of Helsinki, Finland|
|Maggy Lee||University of Hong Kong, Hong Kong|
|Shadd Maruna||Queens University Belfast, UK|
|Thomas Mathiesen||University of Oslo, Norway|
|Eugene McLaughlin||City University London, UK|
|Brian McNair||Queensland University of Technology, Australia|
|Joshua Page||University of Minnesota, USA|
|Moira Peelo||Independent Researcher, UK|
|Anastasia Powell||Royal Melbourne Institute of Technology University, Australia|
|Robert Reiner||London School of Economics, UK|
|Judah Schept||Eastern Kentucky University, US, USA|
|Dina Siegel||Utrecht University, Netherlands|
|Russell Smith||Australian Institute of Criminology, Australia|
|Gregory J. Snyder||Baruch College, The City University of New York, USA|
|Richard Sparks||University of Edinburgh, UK|
|Carolyn Strange||Australian National University, Australia & University of Toronto, Canada|
|Kenneth D. Tunnell||Eastern Kentucky University, USA|
|C. Kay Weaver||University of Waikato, New Zealand|
|Majid Yar||Lancaster University|
This Journal is a member of the Committee on Publication Ethics
Please read the guidelines below then visit the Journal’s submission site http://mc.manuscriptcentral.com/cmc to upload your manuscript. Please note that manuscripts not conforming to these guidelines may be returned.
Only manuscripts of sufficient quality that meet the aims and scope of Crime Media Culture will be reviewed.
There are no fees payable to submit or publish in this journal.
As part of the submission process you will be required to warrant that you are submitting your original work, that you have the rights in the work, that you are submitting the work for first publication in the Journal and that it is not being considered for publication elsewhere and has not already been published elsewhere, and that you have obtained and can supply all necessary permissions for the reproduction of any copyright works not owned by you
- What do we publish?
1.1 Aims & Scope
1.2 Article types
1.3 Writing your paper
- Editorial policies
2.1 Peer review policy
2.5 Declaration of conflicting interests
- Publishing policies
3.1 Publication ethics
3.2 Contributor's publishing agreement
3.3 Open access and author archiving
- Preparing your manuscript
4.2 Artwork, figures and other graphics
4.3 Supplementary material
4.4 Reference style
4.5 English language editing services
- Submitting your manuscript
5.2 Information required for completing your submission
- On acceptance and publication
6.1 SAGE Production
6.2 Online First publication
6.3 Access to your published article
6.4 Promoting your article
- Further information
Before submitting your manuscript to Crime Media Culture, please ensure you have read the Aims & Scope.
Crime Media Culture aims to be innovative in style and approach as well as in subject matter. In addition to articles incorporating substantive findings and promoting critical scholarship - that is, articles of the sort conventionally found in leading academic journals - the editors welcome other types of contributions, including:
(1) Visual essays addressing issues of crime, media, and culture, with such essays to be accompanied in some cases by commentary or exposition, further information can be found here;
(2) Short theoretical essays or polemical pieces in the range of 2,000-4,000 words, addressing current issues, topics and debates;
(3) 'Research Notes' in the range of 2,000-4,000 words, designed to report on ongoing study or initial research findings, or to alert other scholars to innovative or emerging methodological and/or theoretical orientations;
(4) Single photographs or short 'photographic essays', with or without accompanying commentary or exposition;
(5) Critical responses to articles published in Crime Media Culture;
(6) Poetry, artwork, or other cultural productions, in some cases to be accompanied by additional commentary or exposition;
(7) Reports on major conferences and research seminars relevant to crime, media, and culture;
(8) Film reviews, typically around 1,500 words providing a scholarly analysis of the chosen film; and
(9) Articles that encourage or incorporate new ways of thinking about the interrelationships between theory, research, policy and practice in the areas of crime, media, and culture. Suggestions in this regard are welcome.
While Crime Media Culture embraces submissions across a range of research perspectives and methodological orientations, it encourages especially work that develops cultural, critical, and qualitative understandings of the Crime Media Culture nexus. On this basis, while Crime Media Culture does not reject quantitative studies out of hand, it does require that statistical analysis be substantiated by, and situated within, theoretically informed and qualitatively nuanced engagement with the subject matter. Research predicated largely or entirely on quantitative analysis is better submitted elsewhere.
The journal will also publish occasional special issues devoted to a particular theme or topic.
Papers should be written in English and should not have been published already, nor be currently under consideration elsewhere.
The SAGE Author Gateway has some general advice and on how to get published, plus links to further resources.
1.3.1 Make your article discoverable
When writing up your paper, think about how you can make it discoverable. The title, keywords and abstract are key to ensuring readers find your article through search engines such as Google. For information and guidance on how best to title your article, write your abstract and select your keywords, have a look at this page on the Gateway: How to Help Readers Find Your Article Online.
All manuscripts are reviewed initially by the Editors and only those papers that meet the scholarly, artistic and editorial standards of the journal, and fit within the aims and scope of the journal, will be sent for outside review. Crime Media Culture operates a strictly blinded peer review process in which the reviewers' names are withheld from the author, and the author's name from the reviewers. Reviewers may at their own discretion opt to reveal their name to the author in their review but our standard policy practice is for both identities to remain concealed.
Where authors cite their own works in the text, they should cite them as XXXX + date of publication. This is to ensure that authorial anonymity is maintained.
All parties who have made a substantive contribution to the article should be listed as authors. Principal authorship, authorship order, and other publication credits should be based on the relative scientific or professional contributions of the individuals involved, regardless of their status. A student is usually listed as principal author on any multiple-authored publication that substantially derives from the student’s dissertation or thesis.
All contributors who do not meet the criteria for authorship should be listed in an Acknowledgements section. Examples of those who might be acknowledged include a person who provided purely technical help, or a department chair who provided only general support.
Any acknowledgements should appear first at the end of your article prior to your Declaration of Conflicting Interests (if applicable), any notes and your References
Crime Media Culture requires all authors to acknowledge their funding in a consistent fashion under a separate heading. Please visit the Funding Acknowledgements page on the SAGE Journal Author Gateway to confirm the format of the acknowledgment text in the event of funding, or state that: This research received no specific grant from any funding agency in the public, commercial, or not-for-profit sectors.
Crime Media Culture encourages authors to include a declaration of any conflicting interests and recommends you review the good practice guidelines on the SAGE Journal Author Gateway.
SAGE acknowledges the importance of research data availability as an integral part of the research and verification process for academic journal articles.
Crime Media Culture requests all authors submitting any primary data used in their research articles alongside their article submissions to be published in the online version of the journal, or provide detailed information in their articles on how the data can be obtained. This information should include links to third-party data repositories or detailed contact information for third-party data sources. Data available only on an author-maintained website will need to be loaded onto either the journal’s platform or a third-party platform to ensure continuing accessibility.
Examples of data types include but are not limited to statistical data files, replication code, text files, audio files, images, videos, appendices, and additional charts and graphs necessary to understand the original research. The editor can also grant exceptions for data that cannot legally or ethically be released. All data submitted should comply with Institutional or Ethical Review Board requirements and applicable government regulations. For further information, please contact the editorial office at firstname.lastname@example.org
SAGE is committed to upholding the integrity of the academic record. We encourage authors to refer to the Committee on Publication Ethics’ International Standards for Authors and view the Publication Ethics page on the SAGE Author Gateway.
Crime Media Culture and SAGE take issues of copyright infringement, plagiarism or other breaches of best practice in publication very seriously. We seek to protect the rights of our authors and we always investigate claims of plagiarism or misuse of published articles. Equally, we seek to protect the reputation of the journal against malpractice. Submitted articles may be checked with duplication-checking software. Where an article, for example, is found to have plagiarised other work or included third-party copyright material without permission or with insufficient acknowledgement, or where the authorship of the article is contested, we reserve the right to take action including, but not limited to: publishing an erratum or corrigendum (correction); retracting the article; taking up the matter with the head of department or dean of the author's institution and/or relevant academic bodies or societies; or taking appropriate legal action.
3.1.2 Prior publication
If material has been previously published it is not generally acceptable for publication in a SAGE journal. However, there are certain circumstances where previously published material can be considered for publication. Please refer to the guidance on the SAGE Author Gateway or if in doubt, contact the Editor at the address given below.
Before publication, SAGE requires the author as the rights holder to sign a Journal Contributor’s Publishing Agreement. SAGE’s Journal Contributor’s Publishing Agreement is an exclusive licence agreement which means that the author retains copyright in the work but grants SAGE the sole and exclusive right and licence to publish for the full legal term of copyright. Exceptions may exist where an assignment of copyright is required or preferred by a proprietor other than SAGE. In this case copyright in the work will be assigned from the author to the society. For more information please visit the SAGE Author Gateway.
Crime Media Culture offers optional open access publishing via the SAGE Choice programme. For more information please visit the SAGE Choice website. For information on funding body compliance, and depositing your article in repositories, please visit SAGE Publishing Policies on our Journal Author Gateway.
The preferred format for your manuscript is Word. LaTeX files are also accepted. Word and (La)Tex templates are available on the Manuscript Submission Guidelines page of our Author Gateway.
For guidance on the preparation of illustrations, pictures and graphs in electronic format, please visit SAGE’s Manuscript Submission Guidelines.
Figures supplied in colour will appear in colour online regardless of whether or not these illustrations are reproduced in colour in the printed version. For specifically requested colour reproduction in print, you will receive information regarding the costs from SAGE after receipt of your accepted article.
This journal is able to host additional materials online (e.g. datasets, podcasts, videos, images etc) alongside the full-text of the article. For more information please refer to our guidelines on submitting supplementary files.
Crime Media Culture adheres to the SAGE Harvard reference style. View the SAGE Harvard guidelines to ensure your manuscript conforms to this reference style.
Authors seeking assistance with English language editing, translation, or figure and manuscript formatting to fit the journal’s specifications should consider using SAGE Language Services. Visit SAGE Language Services on our Journal Author Gateway for further information.
Crime Media Culture is hosted on SAGE Track, a web based online submission and peer review system powered by ScholarOne™ Manuscripts. Visit http://mc.manuscriptcentral.com/cmc to login and submit your article online.
IMPORTANT: Please check whether you already have an account in the system before trying to create a new one. If you have reviewed or authored for the journal in the past year it is likely that you will have had an account created. For further guidance on submitting your manuscript online please visit ScholarOne Online Help.
As part of our commitment to ensuring an ethical, transparent and fair peer review process SAGE is a supporting member of ORCID, the Open Researcher and Contributor ID. ORCID provides a unique and persistent digital identifier that distinguishes researchers from every other researcher, even those who share the same name, and, through integration in key research workflows such as manuscript and grant submission, supports automated linkages between researchers and their professional activities, ensuring that their work is recognized.
The collection of ORCID iDs from corresponding authors is now part of the submission process of this journal. If you already have an ORCID iD you will be asked to associate that to your submission during the online submission process. We also strongly encourage all co-authors to link their ORCID ID to their accounts in our online peer review platforms. It takes seconds to do: click the link when prompted, sign into your ORCID account and our systems are automatically updated. Your ORCID iD will become part of your accepted publication’s metadata, making your work attributable to you and only you. Your ORCID iD is published with your article so that fellow researchers reading your work can link to your ORCID profile and from there link to your other publications.
You will be asked to provide contact details and academic affiliations for all co-authors via the submission system and identify who is to be the corresponding author. These details must match what appears on your manuscript. At this stage please ensure you have included all the required statements and declarations and uploaded any additional supplementary files (including reporting guidelines where relevant).
Please also ensure that you have obtained any necessary permission from copyright holders for reproducing any illustrations, tables, figures or lengthy quotations previously published elsewhere. For further information including guidance on fair dealing for criticism and review, please see the Copyright and Permissions page on the SAGE Author Gateway.
Your SAGE Production Editor will keep you informed as to your article’s progress throughout the production process. Proofs will be sent by PDF to the corresponding author and should be returned promptly. Authors are reminded to check their proofs carefully to confirm that all author information, including names, affiliations, sequence and contact details are correct, and that Funding and Conflict of Interest statements, if any, are accurate. Please note that if there are any changes to the author list at this stage all authors will be required to complete and sign a form authorising the change.
Online First allows final articles (completed and approved articles awaiting assignment to a future issue) to be published online prior to their inclusion in a journal issue, which significantly reduces the lead time between submission and publication. Visit the SAGE Journals help page for more details, including how to cite Online First articles.
SAGE provides authors with online access to their final article.
Publication is not the end of the process! You can help disseminate your paper and ensure it is as widely read and cited as possible. The SAGE Author Gateway has numerous resources to help you promote your work. Visit the Promote Your Article page on the Gateway for tips and advice. fIn addition, SAGE is partnered with Kudos, a free service that allows authors to explain, enrich, share, and measure the impact of their article. Find out how to maximise your article’s impact with Kudos.
Any correspondence, queries or additional requests for information on the manuscript submission process should be sent to the Crime Media Culture editorial office as follows: